[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.23.2″ _module_preset=”default” background_color=”gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9″ locked=”off” collapsed=”on” global_colors_info=”{%22gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9%22:%91%22background_color%22%93}” custom_padding=”3px||3px|||”][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”01646709-e6eb-46b4-a7bf-3fcee902699b” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Project” _builder_version=”4.23.2″ _module_preset=”default” background_color=”gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9″ collapsed=”on” global_colors_info=”{%22gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9%22:%91%22background_color%22%93}” custom_padding=”5px||3px|||”][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” width=”90%” max_width=”1800px” global_colors_info=”{}” custom_padding=”4px||6px|||”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.masharikifestival.org\/wp-content\/uploads\/2025\/10\/fathers-shadow.webp” title_text=”father’s shadow” force_fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”4a3f0eaa-2681-40a7-9f35-08b055aaffa4″ custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”6892d14b-e999-423e-b737-b16a93e27a59″ global_colors_info=”{}”]<\/p>\n
“An extraordinary painting of fatherhood set at a time of dramatic upheaval in Nigerian society. The artful interplay of sound and picture lends majesty to the central drama of two young sons\u2019 love for their dad. The film serves as a love letter to a family embroiled in the chaos and turmoil of a military coup. The outstanding performance of the cast – and especially of the two young boys – highlights the deep human dimension the African continent is able to preserve even in such difficult circumstances.”<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”6892d14b-e999-423e-b737-b16a93e27a59″ global_colors_info=”{}”]<\/p>\n
SPECIAL MENTION to:<\/strong><\/p>\n KIMOTE<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Project” _builder_version=”4.23.2″ _module_preset=”default” background_color=”gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9″ collapsed=”on” global_colors_info=”{%22gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9%22:%91%22background_color%22%93}” custom_padding=”0px||18px|||”][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” width=”90%” max_width=”1800px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.masharikifestival.org\/wp-content\/uploads\/2025\/11\/Memories-of-Love-Returned-Film-still-5-1.jpeg” title_text=”Memories-of-Love-Returned-Film-still-5-1″ force_fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}” custom_padding=”2px||8px|||”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”4a3f0eaa-2681-40a7-9f35-08b055aaffa4″ custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”6892d14b-e999-423e-b737-b16a93e27a59″ global_colors_info=”{}”]<\/p>\n An intimate exploration of the community power of photography, representation, preserving and reviving archives in Uganda. Memories of Love Returned demonstrates the importance of the tradition of studio photography and the powerful legacy that dedicated preservation and exhibiting of this rich tradition can have for connecting existing and new generations of Ugandans, East Africans, and Africans, with their cultural heritage.<\/p>\n SPECIAL MENTION to:<\/strong><\/p>\n Women’s Village by Victorien Vialar (Burlina Faso)<\/strong><\/p>\n The jury would like to give a very special mention to Women’s Village for its artfully crafted and powerfully immersive portrait of the sensitive yet strong female leadership and positive social cohesion of a Burkina Faso village. The film deserves to be seen across the continent and beyond for its incredible depth of feeling, that it creates quietly, and its fundamental respect for the extraordinariness of ordinary women.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Project” _builder_version=”4.23.2″ _module_preset=”default” background_color=”gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9″ collapsed=”on” global_colors_info=”{%22gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9%22:%91%22background_color%22%93}” custom_padding=”6px||2px|||”][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” width=”90%” max_width=”1800px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.masharikifestival.org\/wp-content\/uploads\/2025\/11\/poster1_2_copy.jpg” title_text=”poster1_2_copy” force_fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}” custom_padding=”5px|||||”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”4a3f0eaa-2681-40a7-9f35-08b055aaffa4″ custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”6892d14b-e999-423e-b737-b16a93e27a59″ global_colors_info=”{}”]<\/p>\n The short film is\u00a0 dedicated to a boy. Filmed by a female director, a Zimbabwean British screenwriter who grew up between London and Victoria Falls in Zimbabwe. A charismatic young boy, Tobias Mupfuti, lives on a rubbishy dump. He convinces a boxing coach to fight in a world that left him behind.<\/p>\n SPECIALE MENTION to:<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Project” _builder_version=”4.23.2″ _module_preset=”default” background_color=”gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9″ collapsed=”on” global_colors_info=”{%22gcid-bb730dca-23ad-45ab-ac1c-91061d0c80d9%22:%91%22background_color%22%93}” custom_padding=”3px|||||”][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” width=”90%” max_width=”1800px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.masharikifestival.org\/wp-content\/uploads\/2025\/11\/Untitled_1.258.2-1.jpg” title_text=”Untitled_1.258.2-1″ force_fullwidth=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}” custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.23.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”4a3f0eaa-2681-40a7-9f35-08b055aaffa4″ custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”6892d14b-e999-423e-b737-b16a93e27a59″ global_colors_info=”{}”]<\/p>\n Subterranea stood out for its bold and original storytelling as Kenya\u2019s first sci-fi series. The judges were impressed by its high production values, visual ambition, and strong performances, which combined to create a gripping, emotionally resonant experience. The series successfully blends imaginative concepts with authentic human emotion, making it a trailblazer in African television.<\/p>\n Special Mentions<\/strong><\/p>\n Ties That Bind Us \u2013 Balwase Edward<\/strong> La Coach \u2013 Ohouot Assi Gilbert<\/strong> Final Note. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" AWARDS Winners\u00a0Official…<\/p>\n","protected":false},"author":1,"featured_media":704,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-684","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/pages\/684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/comments?post=684"}],"version-history":[{"count":9,"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/pages\/684\/revisions"}],"predecessor-version":[{"id":734,"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/pages\/684\/revisions\/734"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/media\/704"}],"wp:attachment":[{"href":"https:\/\/www.masharikifestival.org\/index.php\/wp-json\/wp\/v2\/media?parent=684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hassan Mageye<\/span>
Uganda<\/span>
MINIMAL IN A TITANIC WORLD<\/strong>
Filbert Sharangabo<\/span>
Rwanda<\/span><\/p>\nBest Documentary<\/h3>\n
MEMORIES OF LOVE RETURNED<\/strong> by Ntare Guma Mbaho Mwine (Uganda-U.S.)<\/strong><\/h4>\n
Best Short Film<\/h3>\n
RISE b<\/strong>y Jessica J. Rowlands <\/span>(Zimbabwe)<\/strong><\/h4>\n
Amazeze <\/strong>\u00a0by Jody Sanks (South Africa). A young Zimbabwean young boy living in a South African township watches as a xenophobic mob runs rampant through neighbourhood\u2026.<\/p>\nBest TV Series<\/h3>\n
SUBTERRANEA by Likarion Wainaina (Kenya)<\/strong><\/h4>\n
This series earned a special mention for its emotional depth, exploration of family and societal dynamics, and thoughtful character development. Its digital-first approach demonstrates innovation in reaching audiences, and its storytelling ambition makes it a worthy highlight.<\/p>\n
La Coach receives a special mention for its engaging and inspirational narrative on personal growth and mentorship. The series showcases creative originality and thematic relevance, offering meaningful and relatable content for viewers.<\/p>\n
<\/em>These winners were chosen jointly by both judges, reflecting a shared appreciation for creativity, professionalism, and storytelling that elevates African TV and digital content.<\/em><\/p>\n